hitokage: (reading doctor 4)
Selah ([personal profile] hitokage) wrote in [community profile] getyourwordsout2025-11-20 07:06 pm

How's It Going YEMers?

Can you believe it? We are twenty days into our Year-End Marathon! That means we're roughly a third of the way through the challenge, for a par of 10 000 words or 10 days towards your YEM pledge. But whether you're on par or not, we'd love to hear how things are going for you. Your triumphs and your frustrations. Are the words flowing like water or does it feel more like time is slipping through your fingers? What can we do to help you reach your goal?

For myself, I've been struggling to get words into the project I was wanting to focus on this month. The desire is there, but bum glue has been in short supply. And then a whole new (and much shorter) project blossomed into my GYWO Scrivener project and oh look at that, words! 😅

If you're soaring ahead, great job! If you feel like you're falling behind, just remember this is a Marathon and we've still got a good ways to go. You could have zero days of writing and still make a daily writing pledge, so hang in there!

This is not a check-in post and participation is entirely voluntary. The official YEM check-in will happen on Discord at the end of the month, and while that is also entirely optional, we strongly recommend it as a way of supporting your writing habit.
2naonh3_cl2: (robin)
2naonh3_cl2 ([personal profile] 2naonh3_cl2) wrote2037-11-19 05:28 pm

General Podfic Reviews

I'm sure posting all of my podfics one by one on here will be a headache, so here's a general podfic comment page. Thanks.
runpunkrun: Dana Scully reading Jose Chung's 'From Outer Space' in the style of a poster you'd find in your school library, text: Read. (reading)
Punk ([personal profile] runpunkrun) wrote2025-11-19 08:55 am
Entry tags:

The Hunter, by Tana French

This follows The Seeker, and I enjoyed it even more than the first book. That one was all Cal, who is still solving a lot of his problems with his fists, but here Lena and Trey provide an interesting balance to Cal's blunt force approach. French builds on the events of the first book, drawing out the tension between the characters, where even the most innocuous of conversations between the villagers are filled with hidden meaning and layered with unspoken threats as they seek out peace, safety, and revenge.

The third book in this series is expected next March, and I look forward to reading it.

Contains: Child harm; dog harm; violence (both interpersonal and mob); fire.
scaramouche: Malaysian dreamwidth sheep (dreamwidth sheep baaa)
Annie D ([personal profile] scaramouche) wrote2025-11-17 03:13 pm

Book Log: Queens of the Kingdom

This was a random get a few years ago, but I put off reading Nicola Sutcliffe's Queens of the Kingdom: The Women of Saudia Arabia Speak because I expected it to upset me. I've now read it and yes, it upset me! A lot!

Cut for length. )
runpunkrun: white text on red background: "you're in a cult call your dad" (you're in a cult call your dad)
Punk ([personal profile] runpunkrun) wrote2025-11-13 10:13 am
Entry tags:

Watching the screen: Netflix edition

Some screens I watched recently, in alphabetical order, all on Netflix:

Abstract: Each hour-long episode features a different artist in a different medium and examines their approach to making art. Totally fascinating. Highly recommended.

Another Life: Bad SF. I watched twenty minutes of this, but the writing was terrible, the world building vacuous, and my beloved Katee Sackhoff completely devoid of charisma. Does star that beardy Teen Wolf guy, though, if you're in the market.

Archer: I used to randomly watch this on FX, and so I sat down and started over at the beginning so I could see the whole thing. The comedy style is more insulting than I enjoy now, but I could listen to H. Jon Benjamin talk all day. This was also how I learned Jessica Walter died in 2021 and it hit me unexpectedly hard.

Diplomat: Watched season three, and it was so good I regretted not rewatching season one and two before the new season. Though how Kate hasn't figured out she's exactly like her husband is a hilarious mystery. Like the moment one of them isn't getting enough attention they do something completely fucked up. Highly recommended. Contains (in part): suicide.

Four Seasons: I felt pretty sure I wasn't going to be into these middle-age married people's problems (two white straight couples, and a mixed race gay couple), but it's Tina Fey so I had to try. I liked it more than I thought I would! It was a pleasant diversion and I liked the set up of two episodes per season (Earth seasons, not TV seasons) as these old friends get together for visits and vacations. Contains: divorce, grief.

High Town: Set in Provincetown, Massachusetts, and filled with drug use, drug dealers, party queers, depressed fishermen, and cops. High production value and a hot gay woman of color as a lead (Monica Raymund as Jack), but after an episode and a half I didn't care about any of the characters. It's no The Wire.

Wayward: Starring Mae Martin. Also created, written, and executive produced by Martin, so me with my Mae Martin problem spent the entire time very distracted. But, my love for Martin's beautiful pointy face aside, this drama/thriller about a small town and its cult-like reform school lead by a chillingly maternalistic Toni Collette is very watchable. Also gory, violent, upsetting, and pointlessly set in the early 2000s, but the dog makes it. Recommended. Contains: drug use, shitty parents, child harm/death.

Wick is Pain: I've never seen a single John Wick movie, but I enjoyed this behind the scenes look at how action films get made, particularly this series with its signature gun fu style and, of course, Keanu Reeves, who does the majority of his own stunts and fighting and who is interviewed along with the directors, producers, and stunt personnel involved with the films. Contains: violence, guns, cinematic death of a dog.

The Woman in Cabin 10: Started this solely on the strength of Keira Knightley's presence, but even she couldn't rescue this glossy but limp woman-sees-something-alarming-but-literally-no-one-believes-her thriller. I watched this in twenty minute increments over three nights, swearing I was done with it every night until, on the third night, Keira Knightley did something so unforgivably stupid I immediately deleted it from my continue watching list.
scaramouche: Kerry Ellis as Meat from We Will Rock You, singing (meat belts out a tune)
Annie D ([personal profile] scaramouche) wrote2025-11-13 03:31 pm
Entry tags:

Book Log: Working on a Song

I got AnaĂŻs Mitchell's Working on a Song: The Lyrics of Hadestown a few years ago after I first listened to the Hadestown OBC, watched a couple of bootlegs, and slowly realized hey, I'm into this. It isn't show I love end to end, like there's whole sections that don't do anything for me and I can only appreciate on a technical level, but the moments that hit hard, they hit very hard.

So I got AnaĂŻs Mitchell's book because it was the only thing to do with the show that I could get from my side of the globe (still hoping for a touring production to drop by Singapore one day!), though I didn't read it properly at the time. I've read it now! It's all the lyrics as of the time of the Broadway opening, but Mitchell also goes through the creative process and shares lyric variations, some of which I've heard through the London production and Broadway previews. Some of the decisions that I found a little strange or disappointing (like the placement of "Why We Build the Wall" and the loss of Persephone's verse in "Chant II") are explained, as are the adjustments of the characters as time went along (especially how audiences tended to find Hades and Persephone more interesting than Orpheus and Eurydice).

Of course listened to the music and watched clips as I read the book, and got those feelings all over again. May have cried a bit, and so on.

theemdash: (M Bored)
theemdash ([personal profile] theemdash) wrote in [community profile] getyourwordsout2025-11-12 07:50 pm

Establishing a Writing Routine

Welcome to everyone joining us for the Year-End Marathon and to everyone looking for a peek behind the curtain at GYWO. Each month volunteers post discussions about writing craft, life, and publishing. This rare public post is to give a taste of the full GYWO experience. We welcome you to interact, comment, and share your own experiences on the topic.



Establishing a Writing Routine

The idealized writing routine looks something like this:
  • make a cup of tea or coffee while getting in a creative mindset
  • sit down to free write with a fountain pen as a warmup
  • light a candle or incense to draw the muse and other creative spirits
  • put on the perfect music or silence, as needed
  • get comfortable and write 1,000 or 2,000 words in an hour or so

Mmm, sounds nice, doesn't it? That aesthetic set up is absolutely the ideal. It feels more writerly and like it’s what’s missing from our writing lives. If only we could free write with a fountain pen, light a candle, and be blessed by the muse with inspiration to write for an hour. If that, then we could be successful and productive writers.

But writing routines are not that idealized or consistent. Writing routines have to fit around real lives and incorporate personal quirks. Writing routines are not one-size-fits-all and they must be flexible so you can write on days when you’re busy, tired, or just not feeling it.

Writing routines won’t make you write, but they can help you find your way to words.


What Does a Real Writing Routine Look Like?

Probably the best way to figure out what writing routines look like is by examining an actual routine that works for someone. So, mine, heh. Let's talk about my writing routine on Mondays, Wednesdays, and Fridays, the days when I write with a fairly steady schedule.

Three days a week, I meet with 2–3 members of my in-person writing group on Discord for a mid-day write-in.

Prep Time: My writing prep starts about an hour before when I eat lunch, take a break, and let my mind rest and switch tasks. I usually watch a TV show and play a phone game. I make sure to choose a show that won’t adversely affect my writing, specifically by making me want to watch the next episode, flail about it with a friend, or otherwise pull my thoughts away from writing.

I then check-in with the other writers who join me. This is when we confirm attendance or delays to our normal start time. Then I clean up from lunch, make tea, and open my files.

Hopefully I also have time to clean up my file from the previous writing session and get a grip on what I need to work on today, which usually includes rereading the last couple paragraphs in a scene or notes I made about what comes next. If I run out of time, I finish my prep in the first 5–10 minutes of our first sprint.

Writing: I have a desk in my home office where I write. Aside from my laptop and/or iPad (and various desk fidgets), I try to clear my desk except for my tea, phone, project notebook, and a set of colored pens. (Sometimes I clear my desk by setting things out of sight on the floor.)

I set the timer for our first sprint and get to work.

We usually write for three 20-minute sprints, giving about an hour of writing time over an hour-and-a-half period. We report what we worked on, complain about various things (including how mushy our brains are), and share pictures of our cats.

Wrap Up: By the end of the third sprint, I’m usually done writing for the day. If I’m really on a roll, I might continue long enough to finish a conversation, but if it feels like it will take longer than about 10 minutes, I jot some notes about what comes next and trust I’ll be able to pick up where I left off the next day.

At that point, writing time is done and I move on to other things I need to do with my day.


How Do You Make A Routine Happen?

The writing routine I described above happens in a group. Meeting with a group is a great way to establish a writing routine. When you make a plan to meet with others, you are more likely to show up than if you just tell yourself that you’re supposed to write at noon.

You know how I know that? Because the days of the week when I don’t write with other people, I don’t write on a schedule. I do write, but I fit it in wherever makes sense in my day, which means on a very busy day, I’m squeezing in words at the last possible second. (Not my best choice.)

Routines also happen when you take similar steps to get there. The whole “routine” part is that you have a consistent set of actions that lead you to writing. You may not need lunch + break + tea before writing, but a series of steps before writing that can become your pre-writing routine can help you get there.

You know how I know that? Most days if I follow lunch with tea, I sit down to write. My brain has associated mid-day tea with writing, so it’s become an easy way to get my brain to shift into the writing gear. (It’s also a way for me to tell my brain to shift into writing. If I want to write and have been dancing around it, if I make a cup of tea, it’s a short-cut to my brain being able to settle.)

The other Big Secret to a writing routine is figuring out what works for you. While tea and a writing group work best for me, maybe you need something different. Maybe your routine is:
  • Make Breakfast + Notebook to Freewrite
  • Take Shower + Let Hair Dry + Write 20 Minutes
  • Walk to Park + Eat Lunch + Write 15 Minutes
  • Pick Up Kids + Fix Snacks + Write While Helping with Homework
  • Everyone Else In Bed + Write Until Sleepy

Your routine can be whatever helps you get to writing, so figure out what works for you and is something you can achieve—whether that’s daily or a handful of times a week. Remember, routines can be adjusted for specific days (my MWF routine is different from other days) or you might have a routine for Busy Days that’s different from your routine for Extremely Busy Days. As long as you have your own secret to get you writing, you have a routine.

Think about what you did the last time you sat down to write, is that your writing routine? Do you think something might work better for you?
green: a wolf taking a drink from a pond or lake, its reflection visible and clear (stock: wolf)
green ([personal profile] green) wrote2025-11-12 01:22 pm

(no subject)

I can't keep saying 'I miss the COMMUNITY of fandom' and then not do anything to contribute to/foster said community.

I'm writing, though. Lots of writing. I've been working on this one fic for about 6-7 months now. Just hit 50k on it. I'm hoping the first draft is almost done. And then I will have lots and lots of editing. But I have faith in this story. I think it's going to be good.

Two goats from across the street came to visit me today while I was taking out the garbage. I love goats! But I did not know these goats, so that made me wary. Another neighbor came along and tempted them back home with Cheez-Its.

Right now there is a physical therapist here in my home with my mother. Mom needs help. She's not using the walker she got, but then again there aren't many places she wants to go where she can use it. She wants to be outside, but the yard is bumpy and the wheels on the walker/rollator can't handle the terrain.

We've also got a companion from an agency who comes in twice a month who can take mom to places or pick up meds or vacuum and dust the house. It takes a lot of pressure off me, but it's only one day every other week. (So far)

Ummmm not much else going on. Meg is doing well. I'm hanging in there. We're alive.
runpunkrun: Dana Scully reading Jose Chung's 'From Outer Space' in the style of a poster you'd find in your school library, text: Read. (reading)
Punk ([personal profile] runpunkrun) wrote2025-11-12 08:29 am
Entry tags:

The Searcher, by Tana French

A quiet mystery with an emphasis on character, plus a little carpentry and a lot of Irish countryside. A perfect read for late fall as it turns into winter.

Though when I say it's perfect for fall, I mean that the season in the book closely matched what was going on outside my own window. The story, on the other hand, is an discomforting mix of cozy and violent, and I found the resolution to the mystery something of a letdown, so I mostly enjoyed this for the scenery, the small town atmosphere, and the relationships between the characters. Cal wasn't my favorite, a Chicago cop who retired because he couldn't tell if he was doing the right thing anymore, has the flavor of someone who might use "woke" as an insult (let him tell you his stance on pronouns), and still has the voice of his ex-wife in his head critiquing his every thought (which, let's be honest, he needs), but he's well drawn and his contradictions reflect his circumstances and the era, and when I say era, I mean 2020, that decade of a year.

Contains: graphic violence; child harm; graphic descriptions of mutilated livestock and hunting rabbits for food; published in 2020, but pre-covid.
alethia: (GK Doc)
Alethia ([personal profile] alethia) wrote2025-11-12 12:08 am
Entry tags:

The Pitt Fic: Thank You For Your Service (Abbot/Robby, NC-17)

Thank You For Your Service (4069 words) by Alethia
Chapters: 1/1
Fandom: The Pitt (TV)
Rating: Explicit
Warnings: No Archive Warnings Apply
Relationships: Jack Abbot/Michael "Robby" Robinavitch
Characters: Jack Abbot (The Pitt), Michael "Robby" Robinavitch, Parker Ellis, Emery Walsh, Trinity Santos, Lena (The Pitt)
Additional Tags: Post-Season/Series 01, Established Relationship, Veterans Day, Pranks and Practical Jokes, Mentor/Protégé, robby and ellis make jack feel loved, in their own way
Summary:

"It's officially Veterans Day." Parker swiveled in her chair to look at Jack, going mock-solemn as she intoned, "Thank you for your service."

"You're fired," Jack instantly shot back, the damn traitor.

scaramouche: Bohemian Raspberry ice cream logo from Ben & Jerry's (bohemian raspberry)
Annie D ([personal profile] scaramouche) wrote2025-11-12 03:14 pm

Aryana (10.5% completed)

I'm 20 episodes into 189 for Aryana (each episode is like 20 minutes once you skip the recap and future teases), and there's stuff I like about this show!

Aryana, despite being the sweet, kind, thoughtful heroine of the show, also stands up for herself and gets to argue/fight back! Not only against her enemies (heheh "enemies") but also against the people she loves, including her mother and best friend, and that's just so nice. Love doesn't preclude disagreement, and being good does not mean having to accept injustices meted upon yourself. No idea if this is more common in the genre now (I've only watched three other Filipino shows at this point, so I'm speaking about telenovelas of the past in general), or if it's because Aryana is thirteen instead of an adult woman and the rules for a teenaged main character are different. Either way, I like it.

There are still certain conventions in play, i.e. the good characters are very good, and the mean characters are very mean, but I did like that Aryana made a genuine mistake when she first met her future-rival (and secret half-sister) Megan. Which means that Megan doesn't hate Aryana out of nowhere -- it was a legit off-the-wrong-foot situation. A good character would, of course, have listened to Aryana's explanation instead of elevating it to an unnecessary rivalry, but Aryana isn't 100% blameless, and that's neat. I also like that the rivalry lives rent-free in Megan's head while Aryana only ever seems to remember Megan exists whenever Megan actively harasses her. Basically, the power dynamics aren't what I thought they would be, with Aryana being a poor girl on a scholarship in a fancy school.

Cut for length. )